Showing posts with label Mucha. Show all posts
Showing posts with label Mucha. Show all posts

Sunday, 1 November 2015

The (Semi-)Naked Ladies of Prague (and me)

If you were wondering why I was a bit quiet last week it is because I was having a marvellous time in Prague, capital city of the Czech Republic.  As Mr Walker turned 40 this year, he got to choose the destination, and inspired by the Russell-Cotes' glorious Mucha exhibition, he picked Prague and a damn fine choice it was too.  This post is a flimsy excuse to show you a bit of what we saw...

The Mucha Museum, Prague
While our primary reason for going to Prague was Mucha, the fact that so much of the architecture is Art Nouveau was pretty special too.  However, I think we both underestimated just how special it was going to be.  The massive redevelopment of the Jewish Quarter and New Town (where we were based) in the 19th century meant that slum housing was replaced by new and often decorated housing which miraculously escaped destruction in the 20th century, leaving miles and miles of the most amazing buildings. The National Revival made it a matter of national pride that everything should reflect the glory of the Czechs.

Detail of railings in Wenceslas Square
So, on Tuesday the Walker family started exploring Prague, camera in one hand, map in the other. We were in search of semi-naked ladies and it wasn't long before we found them...

The Darling Cabaret Limo...
Okay, those weren't the naked ladies I was looking for, but there is quite a bit of that there too.  We particularly respected the fact that the Darling Cabaret and its lovely ladies would send a stretch limo to your hotel in order to transport you (and your wallet) to their club.  Classy. Moving on...

Grand Hotel Europa, Wenceslas Square

Ladies on the top of the Grand Hotel Europa
Ah now, that's much better.  These ladies topped the Hotel Europa which dates from 1906. Art Nouveau made its debut in Prague at the 1891 Jubilee exhibition.  It concentrated on ornamentation, in paint and sculpture on otherwise plain buildings.  As Prague excelled in glass and wrought iron, this style was quickly and expertly adopted, making beautiful buildings that lasted. Much of the ornamentation involved ladies with Gibson Girl hair and coy expressions.

Heraldic Shield on a building in New Town
Although much of the sculpture is recognisably Art Nouveau, styles range between monumental and Art Deco making every surface have the potential for an artistic masterpiece...

Lions...

...and Grumpy Chaps, in Wenceslas Square
I have the vague memory that the lions and grumpy chaps were on the Marks and Spencers' building in the Square, opposite Debenhams.  Mmm, multi-cultural. Anyway, having the camera was often a bonus as some architectural details were so high up and quite small that being able to zoom in on them was essential.

Perfectly Adequate King Wenceslas
St Wenceslas (of the hymn and legendary 'good'-ness) and his monument is a wonderful example of national sculpture.  Erected in 1912, the bronze was the work of Josef Myslbek, a leading Czech sculptor of the 19th century.  Wenceslas on his massive horse rides above other patron saints, all cast in perfect detail.  Whilst in Prague we found out quite a bit about Wenceslas which I'll come to later...

Hotel Meran
Anyway, back to exploring.  Hotel Meran, finished in 1904, has the most beautiful painted finish on its slender frontage.  Even our hotel, which redefined cheap and cheerful, had a Art Nouveau seal over the door.  Wonderful.

Wiehl House

Detail of decoration
Wiehl House (1896), an imposing building on Vaclavske Namesti, is named after its architect Antonin Wiehl.  A massive five-storey building covered in colourful paintwork with Art Nouveau figures designed by the artist Mikoláš Aleš.

Detail of building

Detail of building
In the same row of houses were these decorations, far more modern in design but dating from the same period.  This fascinating array of styles reflects the different ways that the Czech painters and architects found to express their national pride.  There is both a sense of belonging to the old world through the Neo-Renaissance style of painting, as seen on the Wiehl House and the very modern, future-facing decoration subtly showing strength to the viewer.

Bridge between two buildings over a road

Detail of bridge
Everything is decorated, no building is safe!  This beautiful medium relief sculpture spans a building-bridge across a road in New Town. 

Municipal House in Old Town
The Municipal House stands on the site of a fourteenth century palace which was demolished (what was left of it) in 1900 and replaced by this cultural centre built between 1905 and 1911.  The massive mosaic above the entrance is Homage to Prague by Karel Spillar and it is topped by a glass dome and allegorical figures...

Nude-y Eagle Lady...

Snooze-y Angel with great big sword...
What we loved was that the figures were all so different and had characters of their own, for example this one who we called Unimpressed Lady...

Maybe her massive hair is giving her a headache?
Also note her hands and the subtle gesturing of them - so very beautiful.

Noble Working Lady gets sore feet while chopping something...

Noble Working Man has a think while reading book
There is much in the way of more 'Soviet' style sculpture, honouring the working people.  I loved the lady looking at her feet with her sickle on her lap as she looked so natural as opposed to the normal stance of bravely facing the future, sickle raised.

Ministry of Local Development Building in Old Town
Talking of bravery, possibly my favourite bit of sculpture (and that is saying something) has to be the firefighter on the Local Development Ministry building in the Old Town Square.  The building dates from 1898 and on the upper façade there are sculptures of a couple in distress, a brave fireman and a gilded 'coat of arms' in the centre...

Help!

Helmet, axe, ladder, hose...

Look at his moustache!  Heroic!
From the carved curls of smoke and golden flames, to the collapsed woman with her golden bodice, this has drama and peril in heaps.  Luckily there is a fabulous hero with his enormous hose to save her.  It doesn't get any better than this.

The V J Rott building, Little Square

Detail of building
Possibly the most bonkers level of decoration was achieved on the V J Rott Company building in Little Square.  Vincenc Josef Rott (1813-1890) was the founder of one of the foremost companies in Prague, supplying tools and machinery.  The bottom floor of the building is a Hard Rock Café, but above it is a riot of colour and figures in a tumble of leaves, flowers and decorative touches.  Each of the figures is carrying a tool, presumably something manufactured by the company, painted by Mikoláš Aleš again on the 1890 building.

St Vitus' Cathedral, Prague
So finally to Mucha.  We made our way up to St Vitus' Cathedral inside the Castle walls and went in search of the tomb of St Wenceslas.  A short version of his history is that he was raised Christian by his Grandma, but his Pagan mum and brother, Boleslav the Cruel, weren't convinced of this.  Mum had her mother-in-law strangled (no comment) and Boleslav had his brother done in. Boleslav the Cruel regretted what he had done (or was keen to legitimise his rule with holy blessing, depends on how cynical you are) and got his brother sainted and many biographies were written about how wonderful Wenceslas was. The hymn we sing is from 1853ish by John Mason Neale, about how lovely Wenceslas was on Boxing Day. I think the moral of the story is not to call your son 'the Cruel' because really you are asking for trouble.

The Mucha window (detail) Ludmila and Wenceslas

The Mucha window in St Vitus' Cathedral
Coinciding with the Millennium Jubilee of St Wenceslas, restoration to St Vitus cathedral was carried out in the 1920s and 30s. Alfons Mucha designed this wonderful window in 1931, showing Grandma Ludmila in the centre, surrounded by other saints who spread Christianity amongst the Slavs, with Jesus at the top.  Excuse our photography, it's really hard to do justice to the window, but a google search will show other images that are better than ours.  It really is the most wonderful window and brings new life to Mucha's familiar style of art.

Astronomical Clock on the Old Town Hall
The golden calendar plate is a 1880 replacement of the original

So to conclude, Prague is a magical city, essential for lovers of Art Nouveau.  What seemed disconcerting to me was that all of this was available to see for free, in every street, on every building.  Prague is the perfect holiday location for the financially-challenged (like what we are) as it is cheap to get to, cheap to stay in and so much beauty is all around you for free.  We are already planning our return because there was so much we didn't see.  Much renovation work is taking place and the National Museum and Museum of Decorative Arts were shut.  However, give it a couple of years and the Walkers shall return.  Fear not, semi-naked ladies, we'll be back...

Wednesday, 1 April 2015

Mucha: In Quest of Beauty

April is upon us!  Not only that but today marks the opening of a brand new and exciting exhibition at the Russell-Cotes Art Gallery in Bournemouth: Mucha: In Quest of Beauty...

Zodiac (1896)

Taking as its theme the quote 'The aim of art is to celebrate beauty', the exhibition shows Alphonse Mucha's extraordinary work which really has come to epitomise all that is 'art nouveau': swirls of hair, the movement of fabric and nature and of course, beautiful women.  I was surprised to find how modern his vision was from posters to celebrity and the synergy of packaging and advertising.

Biscuits Lefèvre-Utiles (1896)
When I was a teenager, I bought the above poster from a supermarket because it was the most beautiful thing I had ever seen.  Over twenty years later it hangs in our hallway and last night I got to see one of the original prints of it.  The business of selling in a belle époque manner finds its pinnacle in Mucha, his beautiful women offering all manner of things from bicycles to cigarettes to biscuits in a very alluring manner. It was copied but never equalled in terms of detail and sheer gorgeousness.

I'll just have a smoke...

...then I'll hop on my bike...
The selection of the advertising works on display are wonderful and it is amazing how the simple start of a long haired damsel in a floaty dress can be repeated yet never seem the same.  On show too are some examples of packaging of the products he advertised and the packaging ties in with the poster art giving a consistent visual message for a product.  Take that Don Draper!

Gismonda (1894)
Beyond his well-known advertising posters, what made Mucha a household name was his work promoting the actress Sarah Bernhardt.  Bernhardt's performances were advertised using lifesize images of her on long strip posters, striking and impactive. The figure of Miss Bernhardt is what is being shown here, her performance almost incidental to the fact that she is the art on display.  Mucha loved these works, displayed on the streets and enlightening the public while promoting plays.  These acts of advertising turned the outside into art galleries for the public.

Lorenzaccio (1896)
While Maxine Peake is making a smash as Hamlet it is worth noting the Bernhardt was playing male roles back in the 1890s.  My favourite poster of her advertises her role of Lorenzo de Medici in Lorenzaccio, the dragon symbolising the tyranical Duke Alexander who the main character considers murdering.  Incidentally, Bernhardt played Hamlet in 1899, accompanied by a poster by Mucha.

Dance (1898)

Mucha was so modern in terms of his vision of what art meant to people in the modern age.  At the end of the 1890 he produced a series of decorative panels on themes such as the arts (from which Dance above comes), seasons, precious stones, flora and times of day. Some of these pictures appeared as prints, some in calendars, all available and accessible to an audience who craved art they could own and appreciate in their homes.  Like me, buying my poster at SavaCentre outside Reading, the Parisian public could place a swirling Mucha woman on their wall.

Song of Bohemia (1918)
In 1910 Alphonse Mucha returned to his homeland of Czechoslovakia after an absence of 25 years.  He spent the next 17 years celebrating his country of birth in paintings celebrating Czech and Slavic heritage.  The women who appeared in them were still glamorous, but had a more spiritual and symbolic edge.  The culmination of this period is the Slav Epic cycle, a series of 20 massive canvases depicting the history of the Slavic peoples.

Model posing in Mucha's studio (1899-1900)
An unexpected delight in the exhibition is Mucha's photographs.  All manner of bendy young ladies drape themselves in familiar poses to beautiful effect, the resultant photographs showing belle époque goddesses.

I cannot recommend the exhibition enough, especially if you are after a little art nouveau glamour in your life.  The whole effect of the rooms is to beguile and engulf you in a swirl of hair and magic.  The art of Alphonse Mucha is more than just the advertising posters and this is the perfect place to discover how much more.  Mind you, the advertising posters are pretty amazing.  This might well be the most beautiful exhibition of the year...

To find out more, including opening times, visit the Russell-Cotes Art Gallery and Museum pages here.