Train Caught in a Snowdrift (1881) Thomas H Heawood |
Undoubtedly, this is a painting based on fact. It has a simple style, a kind of 'recording of events' straightforwardness that is reminiscent of newspaper photography. This is more than likely based on a real event that happened in the painter's locality. Mr Heawood has a 'train in peril' picture for any weather condition, for example heavy rain...
Durston, Somerset, Flooded Out (1894) |
No doubt also these paintings are fuelled by the public fascination with trains and their imposing presence in the Victorian, mainly rural, landscape. When we think of trains, it tends to be in the context of urban industrial expansion, bringing people from one town or city to another, but there must have also been the dimension of the mark they left across the countryside. What I see in both of these pictures, especially the snowdrift image is the power of nature striking against human industry. We may have built a giant beast of iron and steel but frozen water could halt it. It's interesting that the man can wade through the snow and make progress, but the train is stuck fast.
There are some fascinating articles on the net about the Victorian fascination with the perils of train travel, but Heawood doesn't give us a rail disaster as much as a rail failure. The train has been stopped by snow, possibly the wrong kind of snow, and as technologically advanced as it might be, that engine isn't going anywhere until someone clears the line. Put the kettle on, it's going to be a long wait...
See you tomorrow.
'All human evil comes from a single cause, man's inability to sit still in a room.'
ReplyDeleteBlaise Pascal
How very true, sadly. However, most good things come from the fidgets among us...
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