Today's post is about one of my favourite things. I have a hypersensitivity to sound and so I retreat into silence whenever I can. I am also rubbish at gauging sound so a common complaint I often get is that I talk too quietly or too quickly as I have difficulty working out how my noise is working for other people. Let's pretend I'm talking at a normal level now, so read this slower and...hang on... should I talk a bit louder?How's this?
No, you're right, that's too loud. We'll stick with this. Anyway, all this rambling got me thinking about depictions of silence in paintings...
|Voice of Silence (1907) Viktor Zarubin|
|Silence (1903) Mikhail Nesterov|
Two fishermen and their boats bob on a silent lake. Again, the humans have brought their own means to exist in the landscape, man-made crafts to carry them on the water. I like to think the silence in this picture is because the two men are not talking to each other. They used to share a boat, but then fell out over a particularly attractive turbot.
|Winter's White Silence (1923-4) Lucy Kemp Welch|
I particularly like the silence that comes with a snowfall. All sound becomes muffled; I won't say 'deadened' even though it's technically correct because I find that glimmer of snow and the fresh 'crump' when you walk on it, to be the beautifully alive. I think the idea of Lucy Kemp Welch (or the Notorious LKW, as I like to think of her) and her 'silence' is the effort of hard work in bitter conditions. The two men are in no mood for conversation and the horses are getting on with their work but I find the scene singing with the hoof crunches in the snow, the ringing of the bridles, the huff of the horses. Maybe the idea behind the painting is that the snow has silenced the normal voice of work, brought the conversations internal. No-one is lingering in the cold as it penetrates everyone and everything. The first horse has turned into an ice-horse and may well just blend into the landscape, becoming yet more snow for the others to wade through.
|And All the Air a Solemn Silence Holds (1900) Joseph Farquharson|
Farquharson goes that one step further and takes those annoying humans out of the landscape and leaves only a couple of discreet rabbits who I can't imagine are that noisy. Again, snow is linked to silence, possibly also with the idea of sleep. Linking with this is the mythology around the goddess Demeter, whose search for her daughter Persephone causes all of nature to stall and cease without the warmth of her love and attention. The silence of the colder months could be seen as signs of this misery, this dying.
|Silenced (1905) John Seymour Lucas|
Talking of dying, a very human side of silence is death. Heaven knows what our chap in white did to anger the retreating figures but his glowing costume alludes to the fact that he is an innocent party in all this. I like the fact that our chap seems to have strayed in from the sunny corridor, his foot extending into the beams of light, but the shadows have claimed him. The red and black of his attackers tell a very simple story of the evil lurking in the darkness, striking at the good, light figure but maybe it isn't as simple as that. The black hat, now discarded on the floor, could hint that our angelic, glowing victim had another side, something more shadowy. People don't get murdered in front of tapestries for no reason, you know.
|The Silence of Pure Innocence Persuades Where Speaking Fails (1855) Thomas Brooks|
Taking a quote from The Winter's Tale, we have a domestic scene where a widow points to her cute children in order to appeal to the better nature of the bloke in the top hat. At first I wondered if it was a relative, but maybe her landlord is more likely? The dead husband is shown above the fireplace as a noble soldier, cut down in his prime (I'm guessing recently as the baby isn't that old). The trouble stems from the now sudden poverty that has struck the family because respectable women are unable to support themselves. Are all the children girls? It's hard to tell as all children seem to be dressed in dresses until the trousers kick in. It doesn't look good, but we come across the important link between women and silence...
|Silence (1870) Dante Gabriel Rossetti|
This is the image that set me going on the whole subject of silence actually. I remember writing a post on the theme of how weird it was to have a picture of people playing music because you couldn't see sound (well, you can, it's called synesthetes. Kandinsky apparently had it which means his paintings are actually pieces of music, or something). It is therefore equally as interesting to have a picture, which is by its very nature a silent thing, of a silent thing, as its point. It feels like over-egging the pud, if you know what I mean. However, what's going on with all the women..?
|The Hour of Silence (1907) Henri Meunier|
When you start looking for it, there are an awful lot of women being quiet in pictures. Lots of ladies keep 'mum' in these images - there's another thing, why 'mum'? Is keeping 'dad' something different? It's from a Middle English word, where we also get 'mumming' and 'mummers' who act without speaking. I'm sure it's only a coincidence that 'mother' also gets shortened to a word that means to keep quiet. The mum who lives next door to us keeps anything but. She has an impressive range and volume and wonderful ennuciation.
|Mollie: In Silence I Stood your Unkindness to Hear (1882) George Dunlop Leslie|
From the poem, 'Wapping Old Stairs', poor old Mollie puts up with all manner of nonsense from Thomas, who cheats on her with Sal or the very dubious 'Susan from Deptford'. Yet she entreats him to stop sleeping about because she washes his trousers and makes his grog. Mollie, love, you can do better. Also, don't stand there in silence, I know a few choice words for your precious Thomas, one of which is Gitweasel.
|Wings of Silence (undated) William Shackleton (1872-1933)|
|Musicienne du Silence (1900) Arthur Hacker|
Maybe, and I might be a tad suspicious here, there could be a link between the press for female suffrage and the depiction of women as silent. A number of the images I've used today come from the early twentieth century, just as women were finding their voice of protest. The idea that a woman would be a silent figure, taking the abuse of her unworthy husband, or a sad widow allowing her dignity to do the talking, grows more abstract with Symbolism. They become voiceless beauty, paragons of silent perfection, examples and fantasies. Are all women meant to aspire to this hushed perfection? What of men, are they meant to follow the example set by these goddesses or like poor Mollie's Thomas, use their silent partner as a scapegoat for all the wrongs of life?
|The Silence (1965) Carel Weight|
Finally then, Carel Weight painted this family group in the 1960s, but I include it because, a bit like Stanley Spencer, I often get a feeling of purposeful antiquity or timelessness in Weight's scenes of modern life. Of course, the woman in the middle could well be a Victorian as she sits in splendid isolation on her (possibly Morris & Co) throne. One side is a figure that could be construed as her son, the other, possibly her grandson, but to my mind it does not seem to be a companionable silence. Despite being penned together by the garden wall, the upright strokes of the fence and plant supports separate the figures. Is this modern life? Not keeping quiet out of dignity or feminine ideals, just not having anything to say, not even to our children. I'm not sure that's progress...